Words up front, guitars not far behind.
Arctic Monkeys: Suck It and See
Turns out the bludgeoning desert rock these normally nimble Brits turned in on 2009’s Humbug was just an aberration. Phew. Main Monkey Alex Turner weds quip to hook with far too much finesse to settle for brawn alone. A bit of Humbug’s heaviness remains, but it comes with the sorts of angular guitars and turns of phrase that marked the band’s surprisingly durable 2006 debut Whatever People Say I Am, That’s What I’m Not. And Turner, always precociously self-aware, is beginning to do genuine feeling almost as well as come-ons and kiss-offs. “Love Is A Laserquest” maps the moment young people start feeling old with a cartographer’s precision, and the title track—it’s British slang for “give it a try,” in case you were wondering—suggests that Turner may go on to write the sorts of wry love songs that become standards. If, for now, it sounds like he’s still a few genuine feelings away from that, give him time. Four albums in, he’s still only 25, and getting deeper. B+
Old 97’s: The Grand Theatre, Volume Two
How is Rhett Miller, who has built a long and fruitful career out of using train mishaps as metaphors for romantic dysfunction, just now writinga song called “I’m A Trainwreck”? Everything here sounds like something the 97’s could have, should have, or actually have done before, and your degree of affection for the band will determine whether you describe this little brother to last year’s Volume One as freewheeling or merely stitched together. The two volumes should have been edited down to one, sure, but the keepers here prove this is still one of the few bands whose live chemistry translates to record, and Miller more than meets his quota for lyrical jewels: “He said, ‘Can I buy you a drink?’/What he meant was, ‘Can I buy you?’/Yeah his eyes were pits of despair/But his accent recalled the bayou.” That’s almost as good as “I keep turning up The Wedding Present/You’re too tired to turn me down/Well you’reprobably gonna tell me that this sounds a little adolescent/But counting me there’s 1.3 million lonely people in this town.” You barely notice that sly little ‘counting me’ the first time around, which is exactly how Miller wants it. B+